
Autumn - Newsletter
25

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We acknowledge the Yaegl people as the traditional custodians of the land on which Yamba Museum is located and recognise their continuing connection to Country. We pay respect to Yaegl Elders past, present and emerging.
Greetings and welcome to autumn, as well as to the latest edition of the Yamba Historical Society newsletter. As the cooler months settle in, we invite you to unwind while we bring you the latest updates, events and historical insights from our society. Expect fascinating stories, important dates and upcoming activities. We appreciate your involvement in our community and hope you find this newsletter enjoyable and informative.
President's Report

Bivalves and Bubbles Fundraiser
This ticketed event on Tuesday 20 January was a huge success, raising around $4,000 for our Society. There was exuberant member and community support on the evening, with 108 guests being packed into the Function Room, Breezeway and along the concrete ramp to the Old Kirk as they enjoyed fresh oysters or fruit/cheese appetisers, champagne or beer and listened to four guest speakers – see more below.
I wish to thank the small group involved in organising this wonderful occasion, our third only fundraiser in the 45 year history of the Society (Yes, in September this year the Society turns 45!!): Gai Pritchett, Suzie Hughes, Margaret Lawrence, Jude McBean, Brenda Salisbury, Kerry Hulm, Meredith Bates, Jan Angelo, Rick Angelo, Vick Jermyn. And of course, I’m very grateful to our sponsors - The Pacific Hotel, Wobbly Chook Brewing Co, Allan and Michael Brooks for the oysters, and donation of seven raffle prizes by Graham Mackie.
The windfall of funds will be used as part of the on-going revamp of the permanent exhibition. This project will continue during the year with our Museum Advisor Kate Gahan working with us about every two months to workshop our ideas.
First Members Meeting for 2026
I'm hoping to see you at the Members Meeting on Friday 20 March, from 9.30 for a cuppa before 10am start – there’ll be a reminder email. This is important for those members wishing to know about the Council’s plans for the upgrade of Ager Park as our guest speaker will be Luke Brady, the Council’s Coordinator Open Spaces Strategy. Luke will explain the Council’s concept plans for improving accessibility and amenities and would like our members’ input into new park information and interpretive signage.
Committee 2025-26
President
Lesley Pickering
Vice President
Brenda Salisbury
Treasurer
Kerry Hulm
Committee Members
Jan Angelo
Anne Dinham
Sue Hughes
Margaret Lawrence
Jude McBean

AVID 2026
The Annual Volunteer Information Day held on Friday 20th February attracted a small group of active volunteers this year, allowing for on-the-spot responses to questions and handing out of the updated 2026 Handbook. Presenters Bev Mansfield (Roster, Opening/Closing, Takings sheet), Brenda Salisbury (Donations) reminded us all of procedures to follow so that all runs smoothly.
Our guest speaker Jacqui McLeod, from the Council’s tourism staff, presented an excellent overview of the strategies and principles of MyClarenceValley website and brochures, the official marketing organisation for the Clarence Valley. Jacqui also explained the role of Visitor Information Outlets (VIOs) such as Yamba Museum, giving several examples of how our volunteers can support visitors mindful of giving multiple advice options while supporting local businesses and encouraging longer stays. Jacqui reminded us that Front Desk volunteers are not expected to know everything, just to refer visitors to available printed material and the MyClarenceValley website. Jacqui will be visiting us regularly throughout the year to restock our VIO display stand and address any issues, communicating with Bev Mansfield.
This is an informative day for all of us including Committee members as it's not just a matter of talking about minor changes in the museum's operation - we get to know and can address on-the-spot concerns and requests for clarification. If you usually have a personal copy of the Handbook, you can take the 2026 version from the Reference Box under the Front Desk when you're next at the museum.
Back Then ... Photograph of Yamba

This charming photograph shows a view looking down Wooli Street towards Pilot Hill. Two sulkies can be seen travelling down the road towards Yamba Street with a third travelling in the opposite direction. A row of buildings can be seen on the left with further buildings down the road, including the Yamba Hotel. Schaumann’s shop, which was on the corner of River and Wooli Streets can be seen on the right. Various buildings can be seen on the Hill as well as the Pilot Hill Signal Station. A group of people is gathered down the end of the road near Yamba Street.
This photograph appeared in the first edition of the Society’s book “Yamba Yesterday”, in which it was claimed to be dated in the 1890s. A more recent publication stated that it was taken in about 1932! These widely varying dates are unfortunate in that the unsuspecting reader would be led to believe that the author has some knowledge to support the claim. Once in print, a false claim is likely to perpetuate a myth.
The building on the immediate left was Yamba Post Office which was constructed in 1913 so the photograph can be confidently dated after this time. The building which appears next to the Post Office (although, in fact, two doors removed) was constructed after the Post Office, pushing the early date somewhat later. A clue to a later date can be found in the buildings that can be seen at the top of the Hill at the right rear of the photograph. These buildings were part of the Dunalban Boarding House of Mrs Mary Anderson. Mrs Anderson subdivided her land in 1920 and the buildings thereon were separated into three cottages. The indication is that the photograph was taken before the separation of Mrs Anderson’s buildings.
One can only speculate about the nature of the gathering on that day. Perhaps it was a celebration of the end of the World War I. It is noted that there is no evidence of the Cenotaph in the photograph, which was erected in 1923.
In the last PYHS Newsletter (No. 24, Summer 2025), a selection of photographs of Yamba Lighthouse was shown. One, in particular, showed a woman and car in front of the lighthouse claimed to be taken in 1950. This photograph came from the collection of Osric Burston Notley. Not only was this not a photograph of Yamba Lighthouse, but more likely the lighthouse of similar design on Crowdy Head near Harrington. If it was Yamba Lighthouse in 1950, it would not show the annex which was removed from the Yamba structure in 1943.
The Yamba Murder Mystery
Click on
the image




On 22 January 1902 Ah Lun, a Chinese gardener of Yamba, reported to the police the disappearance of his partner, Ah Won and a Cingalese employee on or about the 10th. A quantity of money and a sporting rifle were also missing from their house on a 7-acre market garden adjacent to present day Freeburn Street.
The partners had recently employed the Cingalese man Charles Cornelius (aliases Cornelius Charles, Charles Cornelius Peara, Cornelius Peara and Charles Williams). Ah Lun had left £40 with Ah Won when he went to Grafton on 06 January and it was now missing. It transgressed that Cornelius had purchased a suit of clothes with a £10 note at Tulloch’s store and had boarded a steamer for Sydney. He was eventually found in Auckland, New Zealand and escorted back to Maclean where he was charged with theft of a rifle and £40. When found, Cornelius using the name Peara was apparently well dressed and had £18 in his pocket.
When asked to explain the bloodstains found on the floorboards in Ah Won’s hut and on the fence leading to the bank of the river and on his boat, Peara claimed he had killed a pig and butchered it. The police concluded that Ah Won had been murdered in his hut and then dragged to his boat in which he was taken out into the river and thrown into the water. Despite an exhaustive search, no body was found.
On 01 March Peara was formally charged with the alleged murder of Ah Won and remanded for trial at Maclean Police Court. Peara now claimed that the money was all his, having saved it from things he had sold. He had no explanation for the disappearance of Ah Won and the Magistrate concluded that Peara had a case to answer for and he was remanded to appear in Grafton Circuit Court on 22 April.
The trial spread over 3 days with 35 witnesses appearing for the Crown and was well documented nationally. Although there was overwhelming circumstantial evidence, Judge Heydon summed it up by saying it was rule of law that direct evidence must be given of death before a conviction of murder could be obtained. The jury thus returned a verdict of not guilty.
Peara was then charged with stealing £40 from Ah Lun and reappeared in Grafton Circuit Court on 26 April. He pleaded not guilty and the trial lasted 2 days with 25 witnesses called. Peara claimed he had won the money he had spent and that found in his possession by gambling.
The magistrate summed up the proceedings thus:
Ah Lun had gone to Grafton and entrusted £40 in cash to Ah Won, with whom he had been acquainted for 18 years and they always got on well together. There is no doubt the money was stolen, and investigation naturally turned on the two men who were left in the hut, but who had now disappeared. Ah Won had no police record and was hard working and industrious.
Peara, however, did not stay regularly in one place or have any fixed employment and admitted he was a gambler. He went to Yamba under circumstances that indicated poverty and was badly dressed. He had been acquitted on a murder charge due to a rule of law and could never again be put on trial for murder of Ah Won – Rule of Double Jeopardy. One of the notes he had passed in late January had an opium stain on it, which strongly implied it was part of the cash left by Ah Lun.
Peara was sentenced to seven years penal servitude. It was then disclosed that he was well known to Grafton police and had appeared in court on several occasions on such charges as assaulting 8-year-old girl Priscilla Gould, house theft and threatening grievous bodily harm in two instances.
From his 1895 Prison Record Sheet, he was born in Ceylon (now Sri Lanka) in 1868 and claimed he came to Australia from Ceylon on the Duke of Sutherland in 1882 but changed this to the Duranda in his 1907 Prison Record Sheet. He worked as a labourer and later as a bootblack.
While waiting to sail on the Kallatina to Sydney with Constable Bradbury, Peara confessed to the police officer that he had indeed murdered and robbed Ah Won. On the evening of 10 January, he claimed that he had quarrelled with the Chinaman over payment of wages. Ah Won threatened him with a rifle (revealed in evidence to be broken and not in a condition to be fired) and a tomahawk. He wrenched the rifle from his assailant who then attempted to strike him with the tomahawk. In defence, he struck him in the head with the butt of the gun, and again as he lay on the ground. This happened in front of the hut (Peara claimed the police had made up the evidence of bloodstains in the hut and boat). He then dragged the unconscious man to the river and held him under until he drowned. After dark, he launched the boat, tied the Chinaman’s pigtail to the stern ring and rowed out to the bar where he cut the body free.
There was some doubt as to the authenticity of Peara’s confession mainly because of the bloodstains found.
Following the confession, the Solicitor-General Henry Pollock began considering the question of taking further proceedings against Peara. It was suggested that he be placed on trial for robbery with violence. However, it was decided in May that no further action be taken against him . He could not, on his confession, be tried on any other charge as it was evidence of murder only.
Peara had early release from prison in 1907 but continued to offend and spend more time in gaol.
John McNamara, Research Officer, Port of Yamba Historical Society
Bush Dirt Flowers Art works by Jacinta Fox 6 - 31 March 2026
Emerging Northern Rivers artist Jacinta Fox presents her first solo exhibition, a body of work inspired by the quiet, earthy beauty of the Australian bush and coastal heathlands surrounding her home in Wooloweyah.
Living beside national park and close to the coast, Fox’s practice is deeply shaped by daily immersion in the landscape. Her paintings draw from the heathlands of Yuraygir National Park and her local surroundings, capturing subtle textures, shifting light, and the overlooked details of place—twisted branches, fading leaves, and quiet shadows.
Fox grew up on a 100-acre property in Taloumbi, where much of her childhood was spent outdoors riding horses, swimming in dams, bushwalking, and exploring the land. These early experiences formed a lasting connection to the Australian landscape, one that continues to inform her work today.
Working primarily with acrylic paint on canvas, Fox’s paintings sit between observation and imagination. While grounded in the natural environment, her works often feature bold, unexpected pops of colour—hues that subtly contradict the true palette of the land. This tension brings emotional depth and energy to her landscapes, offering viewers a sense of both familiarity and surprise.
Her creative practice is continually shaped by time spent walking through the bush. These walks are an essential part of her process, allowing her to observe the land’s textures, colours, and quiet details. Fox paints in an open-air studio, where weather, light, and atmosphere influence the work as it unfolds. Natural materials collected from the environment—such as twigs and branches—are sometimes used to create prints and organic marks, strengthening the physical and emotional connection between the land and the finished work.
Although Fox completed a Fine Arts Diploma at TAFE Maclean as a teenager, she considers herself largely self-taught. After returning seriously to painting in 2019, she has worked consistently, developing a distinct visual language informed by place, memory, and connection.
This exhibition brings together works ranging from 40 x 40 cm pieces to large-scale canvases up to 1.8 metres. Most works are available for purchase, with a small number from the artist’s personal collection included in the exhibition.
This first solo exhibition offers an intimate glimpse into the landscapes that calm, ground, and inspire Jacinta Fox—inviting viewers to slow down and experience the quieter moments of the Australian bush.
Yamba Upshot Exhibition 4 - 30 April 2026
‘Yamba Upshot’ art exhibition invites you to enjoy, absorb and connect with the detailed 2D and 3D pieces created through the eyes
of 3 local Yamba Artists Jan Armstrong, Allan Armstrong and Penny Levett. Their individual art practices are unique, the results of their sense
of fun and quirkiness and the need to tell a story. Whether it be real or imaginary, do not expect the normal or everyday.
The final upshot of their creative processes asks you to embrace the amazing figurative soft sculptures and print making of Jan Armstrong, the fascinating metal fabrications of Allan Armstrong and the detailed story telling, through pattern and colour, of Penny Levett’s miniature and larger artworks.
ABOUT THE ARTISTS
Penny Levett, a practising artist of over 30 years, moved to Yamba from Sydney in 2020. Currently exhibiting at Ferry Park Gallery, Maclean and Creative Artisans Gallery, Ballina, Penny predominantly focuses on creating miniature and small artworks (up to A2).
Her preferred mediums are watercolour, gouache and mixed media, utilizing colour and pattern to weave stories into her personal eclectic style of artwork. Penny is working on a new body of acrylic canvas artworks especially for this exhibition, her interpretation of the new Clarence Valley (Yamba) environment she views every day.
As a Member of NSW Miniature Society Inc. and a founding member of the Annual “All Things Great are Small - miniature/small artworks exhibition" in Bowral’s Community Art Gallery, there will most definitely be a few miniatures displayed, along with larger artworks on paper. Collectively, Penny's works showcase a vast range of creative techniques, the upshot being a great counter balance to the unique 3D sculptures and printmaking that will share the space.
Allan Armstrong hails from a metal trade background and started his artistic hobby by designing and making items out of his scrap metal. He is only restricted by the materials available! Allan uses mostly marine metal for his sculptures, but also copper or stainless steel. He has exhibited in the Coraki Art Show. ‘ The Shark’ is 2.2m long which took a few weeks to complete working constantly on it. ‘The Albatross’ has a 2.4m wingspan, with a stainless frame inside to stabilise the sculpture.
Allan creates a modern twist on metalwork contemporary individual pieces and he does commissions. Anyone for a garden sculpture? He is your man!
Jan Armstrong has a knack of creating 3D eclectic fabric/textile sculptures. All ‘one off’ unique pieces with their own character, 15cm – 50cm. Some with repurposed fabric. All Pieces have multiple components carefully chosen and sourced to create their unique subject. Truly lovely pieces.
Jan also creates collograph prints, these are collage style artworks. Ten years ago Jan began with lino cuts and progressed from there. Exhibiting in Ballina and Ferry Park and local art fairs and markets. Jan’s interest in soft sculptures developed 2 years ago and rapidly became her preferred artwork. Each piece with intricate stitchwork, combining different elements to create characters with attitude. Jan enjoys the search for materials, especially antique pieces.
The Port of Yamba Historical Society has been adding donated postcards to the collection for many years, recognising their value as historical and cultural documents. In this gallery, you can see examples that capture the character of Yamba and the surrounding region across different eras. These postcards offer glimpses of familiar streets, landscapes, and landmarks as they once were.
Today, postcards are treasured not only as collectibles, but as small, graphic records of social history. In museum collections, they provide unique insights into communication, travel, and local life—preserving moments in time that might otherwise be forgotten.
Postcards from the Collection
Can You Help ?

Brenda, Kerry, Meredith and Sue preparing for an exhibition opening.
Volunteers: We Need You!
Come and be a volunteer at your museum. Meet like-minded people, build new skills, have fun and create connections within a vibrant cultural environment. Embrace the chance to be a part of something meaningful and make a difference by becoming a dedicated volunteer at your museum .
You may be interested in helping in the following areas: catering team, collection team, research team, gardening team, or welcoming visitors on the front desk roster - 4 hours per month.
Please email yambamuseumnsw@gmail.com, if you would like to know more and a volunteer member will contact you


















